Tuesday
30Jun

Clear Creek Distillery, Portland, Oregon

 

Steve McCarthy standing by a batch of Douglas Fir Eau De VieYou have to immediately respect anyone who is able to make a living doing exactly what they want to be doing. In our capitalist society some businessmen choose to focus their attention on the demands of the market, while others trust that the market will come to them. It takes confidence and ability, as well as a certain amount of luck, to succeed with the latter philosophy, and Steve McCarthy, head boss and chief distiller of Clear Creek Distillery, has all three. Located in Portland, Oregon, Steve has created a remarkable line-up of spirits, most of which are created with locally-grown Oregon fruits. Fruit-based eau de vies and liqueurs are not the meat and potatoes of the booze business; that hasn’t influenced McCarthy’s operation, however. While most producers are out trying to create the next big designer vodka, Clear Creek sticks to what they do best. “We’re like a French restaurant,” Steve told me, referring to the fact that his production is based around whatever he feels like cooking, or in this case, distilling.

Like a fine French restaurant, McCarthy uses fresh seasonal fruits to enhance the flavors of his “entrees.” “Sometimes I’ll just drive around the state with a bunch of cash and buy what’s available,” he says. If he can find a good deal on something out in the orchard, then he’ll find a way to use it. Not a sure-fire strategy by any stretch of the imagination, the main reason Clear Creek has been successful so far is because the spirits are that damn good. Steve’s pear brandy smells like a fresh-picked basket of pears, and his liqueurs taste like pure fruit juice (not the sweetened, store-bought kind, but the real fresh-squeezed essence). In this case, the quality of the distillates creates its own demand. You may not have known you wanted loganberry liqueur or apple eau de vie, but, after a small sample, your taste buds will inform you that indeed you do.

The barrel room with single malt whiskey aging inside Oregon oakNot every Clear Creek bottling is geared toward fruit lovers. Their Single Malt Whiskey is made from a mash of peated barley just like in Scotland, but aged in Oregon oak barrels to help impart a sense of originality and place. Smoky, smooth, and delicious, it gives the best Islay malts a run for their money, and it is continuously ranked as one of the top American-produced whiskeys available. McCarthy also produces a line of single varietal grappas that stand up to the best Italian bottles available, but are, of course, made from locally-grown Oregon grape skins and pips. Clear Creek does an amazing job of taking the finest spirits from abroad and recreating them domestically from local produce. More often than not, they surpass the superb examples from which they are inspired. I’ll almost always advise customers looking for a great bottle of French Calvados to opt for Clear Creek’s 8-year-old apple eau de vie instead.

Perhaps the most famous recreation from Steve McCarthy is his homage to an obscure French eau de vie made from the buds of a spruce tree, maybe the most obscure form of eau de vie in the world. His version, flavored from the indigenous Douglas Fir, has intrigued spirit lovers everywhere. It is the perfect showcase for McCarthy’s ability as a distiller, as well as his indifference towards the perceived desires of the liquor market. In the New York Times, Steve McCarthy recently wrote, “A product that all conceivable market research would say had absolutely no future is now a modest success in the market place, which is pretty good for something made out of a fir tree.” Clear Creek products garner such respect that they can afford to take risks. They seek to define the demands of the market, rather than respond to them, which always keeps things interesting. Having tried the Douglas Fir, I can say that there is nothing else even remotely like it and that it’s worth the price of admission to ease your own lingering curiosity.

The pot stills at Clear Creek are brought over from GermanyIt’s that purity of flavor that McCarthy is after and I’ve yet to taste anything from Clear Creek that doesn’t achieve it. Because he works so hard in the name of flavor, he cringes at the thought of diluting it down. When I asked about his feelings on Clear Creek cocktails, he said that everything he makes is for straight sipping. He fully supports bartenders experimenting with his spirits in their concoctions, but he’s not going to be sending out any recipes. “I wouldn’t go into a restaurant and tell the chef how to prepare my food,” he says. It’s understandable. Imagine if you slaved over the grill cooking the perfect fillet mignon only to have your guest pour barbeque sauce all over it.

At the end of our visit to the distillery, McCarthy was kind enough to sample us on some of his products, including a new one in the works. He quickly ran to the back and retrieved a flask containing a beautiful dark, ruby-colored substance. “I got all these cranberries and figured I’d do something with them,” he told me, “I’m just not sure who’s going to drink it.” My fiancée and I each took one sip and immediately raised our hands and said, “We will!” My fiancée has been adamant about K&L buying it as soon as possible, and still claims it is the best alcoholic beverage she has ever had. It tasted of pure cranberry tartness with the flavors of the juice bursting in your mouth at every opportunity.

You might be saying to yourself, “That sounds nice David, but I’m not interested in cranberry liqueur.” I say, “You’re not interested in cranberry liqueuryet.”

Clear Creek Cassis Liqueur ($21.99)

Clear Creek Loganberry Liqueur ($23.99)

Clear Creek Pear Liqueur ($21.99)

Clear Creek Raspberry Liqueur ($23.99)

Clear Creek Pear Brandy ($39.99)

Clear Creek Eau de Vie Douglas Fir ($45.99)

Clear Creek Williams Pear Brandy ($39.99)

Clear Creek Eau de Vie Pomme 8-year-old Apple Brandy ($24.99)

Clear Creek Grappa Pinot Grigio ($26.99)

Clear Creek McCarthy's Batch No. W08-02 Oregon Single Malt Whiskey ($43.99)

 

David Driscoll

 

Monday
29Jun

Winemaker Interview: Paul Old of Le Clos Perdus, Languedoc

 

Hugo Stewart (left) and Paul Old (right), co-owners of Le Clos Perdus, in the vineyards.

 

 

How would you describe your winemaking philosophy?

To see oneself as a caretaker, allowing as many intelligent conversations as possible to take place between micro-organisms in the vineyard and in the cellar. It’s this life force that gives a vineyard and its wine a sense of time and place. Vitality and complexity in the wine naturally follows. The ability to capture a time and a communication between man and nature in a bottle for people to enjoy gives great pleasure.

 

What wines or winemakers helped influence your philosophy?

Richard Mc Intye of Moorooduc Estate passed on valuable information about wild ferments; Nicolas Joly and Marcel Deiss inspired me to focus on the multiplicity of life in the soil to generate complexity and vitality in the bottle. Laurent Baraou of Clos Des Camuzeilles explained the importance of being pro-active in the vineyard and a procrastinator in the cellar. Magali and Dominique Terrier of Domaine Des Deux Anes introduced me to Mourvèdre in the Corbieres.

 

How involved in grape-growing are you? Is there a particular vineyard site that wows you year after year?

For me winemaking starts at bud burst and continues ’til the wine is placed in the bottle.

At Les Clos Perdus we have vines on three very different terroirs. Over our seven years each vineyard seems to have developed a unique voice. Like children, you love them all the same but differently.

 

How do you think your palate has evolved over the years? How do you think that’s influenced your wines?

I’m no longer seduced by big flavours. I like a wine to gently introduce itself and keep your attention while it takes you on a journey that lasts the duration of the bottle. I believe these wines are achieved by allowing the terroir to do the talking.

 

What kinds of food do you like to pair your wines with?

Our wines have good acids, a high level of minerality and are complex. Because of these factors they suit a broad range of foods. However, the reds sit really well next to game such as pheasant, wild boar, and tomato-based sauces such as tatatouille. The whites are great next to rich risottos (wild mushroom and/or duck), scallops and fish.

 

What changes are planned for coming vintages? Any new (top secret) varietals, blends or propriety wines on the horizon?

We have half a hectare of 110-year-old Terret Gris vines that sits just above a coastal lagoon. Thet [the grapes] give wonderfully unique whites, but we are also experimenting with a small quantity blended into our Mire Le Mer red.

 

Is there a style of wine that you think appeals to critics that might not represent your favorite style? How do you deal with it?

Yes, some wines jump out when placed in a group of wines, but when you get them home and are able to pay them more attention,you find they lack complexity and soul.

 

What do you drink when you are not drinking your own wine?

There is knowledge to be gained and wonderful jewels to be found in the wines of the Languedoc. This is whereI put most of my attention at the moment.

 

Do you collect wine? If so, what’s in your cellar?

My decision to collect wine always coincides with an increased rate of consumption. If I did have the discipline and time I would search out traditional style Barolos and Barbarescos. Domaine Leroy, Château Beaucastel, Giaconda, Polish Hill and some Guigal Côte Rôtie would be nice for starters.

 

What do you see as some of the biggest challenges facing the wine industry today?

I’m sure there are many important issues missed by winemakers like myself that spend most of their energies in the vineyard and winery. However, I do see that as producers are pushed more and more to cut prices and payments become later a lot of mid-sized producers will fall. A greater gulf will develop between commercial supermarket wines and small artisan wineries. I believe this gulf will replicate itself in the consumers who will be divided by those who just want an alcoholic beverage to consume and those who want a bottle that is able to reflect and communicates a particular time, place and culture.

 

Monday
22Jun

Edible France

Editor's Note: Clyde has sent more Paris dining recommendations, and the first of his updates from Bordeaux.

Had a fine lunch at one of my favorite Paris Bistros, Fontaine de Mars. The Tete de Veau was especially good (from a fat-headed veal). Kay's fresh chevre was superb. Fillet of sole suberb as well and confit de carard solid with Tempier rose. We haven't been here since 2000, but Obama was here 10 days ago. Reservations a must for a good table; they're busy.

Fontaine de Mars 129 rue Saint-Dominique 75007 Paris. Tel 01 47 05 46 44. Great bistro cooking; very friendly. Great "Tete de Veau" and southwestern French cooking. lafontainedemars@wanadoo.fr $

Cafe Thomieux is closed, either for a remodel or is out of business. Le Violon d'Ingres is alive and well.

L'Arpege ***Michelin (one of 20 in the world). 84 rue de Varenne 75007 Paris. (Across the street from entrance tot he Rodin museum.) Tel 01 47 05 09 06. Kay and I have always wanted to go to this restaurant and we finally didn. Got in last minute with some help from our hotel. It was a great dining experience; 11 courses in all. Vegetables are Alain Passard's specialty and we love veggies. For a short time it was strictly vegetarian, but people complained that the peas and caulflowers were too much money. Now it has but a few fowl courses and some fish courses, but the veggies are to die for. No flowers on tables - cauliflowers only! There were 40 people int he restaurant and it was packed. The wine list is very expensive, but we managed a half bottle of Billecart Reserve. Full of 2005 Chablis Vaillons from V Dauvisset - great! And the only affordble Bordeaux on the list was 1999 Clos du Marquis. Two glasses of 1985 Nieport and life was good. Now a year to pay it off. Passard signed our menu and came to our table twice.

In Bordeaux:

Dinner at La Mission Haut-Brion featured a heavenly vegetable course (main ingredient was different colored beets) from aforemention L'Arpege chef, Alain Passard. We saw him again and he remembered us! The main course was cooked by Daniel Boulud of Restaurant Daniel in New York. Also great. Exhausted.

Went to La Gatte for photo op and tasting. Resting at Cantemerle before party and tasting at Pichon-Baron...

Le Lion d'Or 11, Route de Chateaux 33460 Arcins 05 56 58 96 79 is a fun place. You can bring your own wine with no corkage fee. Mr. Barbier is a character and speaks perfect English.

In St-Julien, Le Staint-Julien 11, rue Saint Julien 33250 St-Julien Beychevelle. Tel 05 56 59 63 87.

In Pauillac, Cordeillan-Bages. **Michelin (maybe *** soon). Fancy, very good. Routes des Chateaux - B.P. 79 33250 Pauillac. Tel 05 56 59 24 24

In small town of Bages, Lavinal is a fun place. Walking distance from Lynch-Bages. Place Desquet, Village Bages, Pauillac. Tel  05 57 75 00 09

In town of Bordeaux, La Tupina. Great, heart food. 6, rue Porte de la Monnaie 33800 Bordeaux. Tel 05 56 91 56 37.

In St-Emilion, Hotel Plaisance is great. Place du Clocher 33330 St-Emilion. Tel 05 57 55 07 55.

In Martillac, next to Smith-Haut-Lafitte, is the fabulous spa, Sources de Caudalie. Try their Bistro. Chemin de Smith Haut-Lafitte 33650 Bordeaux-Martillac 05 57 83 83 83.

—Clyde Beffa Jr

 

 

 

Thursday
18Jun

More Paris Recommendations 

Editor's Note: Our fearless leader, Clyde Beffa, left for VinExpo yesterday and is slowly winding his way toward Bordeaux to taste the 2008 vintage wines. He's sending updates on the restaurants and hotels he discovers along the way. If you're planning a trip to Paris, start here. Then, read Clyde's recommendations here, from his last big trip.

Ate lunch today at La Rotisserie d'en Face in the 6th Arrondissement. 2 rue Christine 75006 Paris. Tel. 01 43 26 40 98 Quite nice and not too pricey. Try their roast chicken with heavenly mashed potatoes. Email la-rotisserie@orange.fr

Tonight I head to Michelin-starred Restaurant Jacques Cagna across the street. Superb value. Only dinner where my wife, Kay, oders foie gras and I don't. We did the gourmet menu for 100 Euro (four courses, though they served six). All very good. The trotters were sans hooves, just calories wrapped with bacon. Great John Dory and excellent quenelles of bass. Wine: Good news, Daugenau for 40 Euros, bad news 2007 Serge Daugenau, fine. 1999 Poujeaux was heavenly, sweet and delicious. 14 rue des grands Augustins 75006 Paris. Tel. 01 43 26 49 39

Also, try Cafe Laurent  in the Hotel d'Aubusson. It's been there since 1690 and known for its Jazz club. Very American-friendly, fabulous location. A bit pricey but worth it. 33 rue Dauphine 75006 Paris. Tel 01 43 29 43 43. Email reservations@hotelaubusson.com

—Clyde Beffa Jr

 

 

Tuesday
09Jun

I'm Going to Make You Like Grappa

 

In 1999, I decided that I was going to enjoy drinking Scotch whisky. I was entranced by the salty characters I watched every week during my film noir course and, as with many other college-aged, semi-adolescent boys, I was on a Charles Bukowski kick. The men in these stories were hard-boiled and decisive. They smoked a pack of cigarettes a day (something I also imitated, unfortunately) and lived life by their own rules. I definitely wanted in. The first bottle of Scotch was purchased for me by a friend at the local supermarket. It was called Blandy’s and it cost around $10. I filled two glasses with ice cubes and together we poured ourselves a few fingers. He drained his in a matter of minutes, while I struggled severely. This was harder than I had expected.

Certain preferences in life are the result of repetition and pure perseverance. Nobody truly enjoyed their first cigarette, they had to make themselves like it (in fact, that’s a piece of information used to help many smokers kick the habit). Other culinary delicacies, such as foie gras, escargot or even sushi, are not appreciated by the younger, inexperienced palate, but are savored by the more seasoned aficionado. I believe that with practice and increased exposure to the proper influences you can grow to like things.

Every serious meal I’ve ever had in Italy ended with a small glass of grappa and, because of the fond memories these events left me with, I associate grappa with happiness. But it wasn’t always so pleasant. The first glass of grappa I ever drank went down like fire and left my mouth tasting of gasoline and rubbing alcohol. My parents were hosting their German friends Lilo and Dieter for dinner and they had brought it along with them. “It helps with digestion,” they explained to me. It had better have some medicinal purpose, I thought, because it tastes like crap. More than any other distilled spirit, bad grappa can truly live up to its reputation as “firewater.” Even though it burned my throat and made my eyes water, I noticed how everyone else was truly enjoying their small glass around the dinner table. Years later, while traveling through Italy on my own, I was an older and more established drinker looking to experience everything the country could offer. Every trattoria has a locally made grappa on their shelf, whether it was in a fancy bottle or an unlabeled pitcher, and I sampled each one. I was determined to understand what made people want to drink it. Sometimes it came straight, and other times infused with a sweet liqueur. One time while dining with Lilo and Dieter in their apartment on Christmas Eve they mixed it with espresso and we drank it out of a four-spouted friendship pot. Grappa is versatile and can be enjoyed differently in its many incarnations. Slowly but surely the flavors became familiar and almost comforting.

If there’s one thing that tastes terrible it’s bad grappa, and it seems that most of what I’ve bought domestically in my lifetime has been bad. I say this because the commercial bottlings still make me pucker up and close my eyes, even after having developed a taste for the stuff. Part of the reason for this is the quality of the vinaccia - the pomace of grape skins used for distillation. Grappa is technically not brandy because it is not distilled from base wine, but rather the skins left over from pressing. Commercial distillers buy the left over musts from wineries all over Italy and it can take days before the loads are delivered and finally distilled. Quality grappa is made from vinaccia that is distilled immediately after pressing. Musts that are left to oxidize become less valuable because they lose their varietal character with passing time. Logically speaking, winemakers who also make grappa on-site are more likely to have distilled from fresher vinaccia and therefore have more flavorful grappa.

The difference between single-varietal grappa and blended commercial slop is like night and day. That $30 bottle you got at the supermarket probably burns like petrol, but a boutique grappa I recently tasted made solely from the Moscato grape smelled like flowers and fruit and went down smoothly. On September 1st, I will be replacing Susan Purnell as the spirits buyer for K&L (along with David Othenin-Girard in SoCal) and the first task on my list is to make you like grappa. In order to achieve this task I am trying to taste as much grappa as I can get my hands on and only buy the best products from producers who are serious about their craft. Two weeks ago I sampled the Marolo line-up and was very pleased. Located in Piedmont outside of Alba, they make outstanding distillates from Moscato, Sangiovese and Nebbiolo grapes - some are rich with barrel age and others clean and crisp. Some grappa purists drink only those straight off the still, while others appreciate the influence of new oak. I will leave it to you to decide which style you prefer.

Needless to say we will begin carrying these bottles immediately with some available in-store and others on a special order basis with fast delivery. I am confident that our general drinking public is going to fall head-over-heels for our quality grappa offerings, simply because they are rare and delicious. Why should you begin developing an affinity to grappa? That answer lies within you, of course. Maybe you’ve read about it in the paper, seen it in on an episode of the Sopranos, or watched a table full of Italians conclude their meal with style. Whatever your reason, I can guarantee you that whatever romantic notion you dream up, the grappas you find in our store will live up to your expectations (rather than singe your taste buds).

For more questions about grappa or other spirits, contact me at DavidDriscoll@klwines.com

-David Driscoll