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Saber Madness at K&L!

We have been chopping off the tops of Champagne bottles as fast as we can drink them- who needs a stopper when you are ready to commit to finishing the bottle! One of our favorites was this magnum ($84.99) of Franck Bonville Brut Rosé that Mellyn expertly decapitated on Christmas Eve. It also comes in regular 750ml ($39.99) and half bottles ($21.99). Olivier Bonville adds 8% Pinot Noir Rouge from Ambonnay superstar Paul Dethune to his top class assembelage of grand cru, estate Chardonnay to create this fabulous rose. This is one of the most elegant, bright, refreshing rose Champagnes that we carry, yet it does not lack red cherry Pinot Noir authority. We can’t get enough- bring another to the block!

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We host regular weekly and Saturday wine tastings in each K&L location.

For the complete calendar, including lineups and additional details related to our events, visit our K&L Local Events on or follow us on Facebook.  


Free Spirits Tastings at K&L! Now that we have our license for spirits tastings in Redwood City and San Francisco, we’re excited to host regular free spirits tastings in those locations.  Check the Spirits Journal for an updated tasting schedule.

All tastings will feature different products from the Spirits Department and take place on Wednesdays in Redwood City and San Francisco. Visit our events page on Facebook or the K&L Spirits Journal for more information.

>>Upcoming Special Events, Dinners, and Tastings

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Entries in Pinot Noir (79)


Winery to Watch: Amalie Robert

"Luck is when an opportunity meets a prepared mind."

This is the guiding principle of Ernie Pink and Dena Drews. It’s what led them to buy a cherry orchard 15 miles south of Salem, Oregon in the Willamette Valley, convert it to a vineyard and start making wine. It’s what led our domestic buyer Bryan Brick—on a never-ending quest to fine great Pinot—to find them, and we’re sure it’s part of what will get you to take a chance on their wine.

Still, it wasn’t all luck for the Amalie Robert estate. It took passion, diligence and an attention to detail to get started. Like a lot of people in the domestic wine business, Ernie and Dena weren’t raised in the wine life; they were Pacific Northwest computer nerds first. Trading in keyboards and operating systems for shovels and dirt, they planted grapes: Pinot Noir, Pinot Meunier, Chardonnay and Viognier to silty Bellpine soils. Their first harvest was in 2002. They sold their dry-farmed fruit to a who’s who of Oregon wineries—Elk Cove, Erath, Cristom and Beaux Frères—and made a little wine on the side, always true to the soil and expressions of the vintage, but never enough to make a dent in the marketplace. In 2006, the couple completed construction of a winery as well as their first estate crush, the results of which have just arrived at K&L.

The Amalie Robert wines are only available in a handful of states and have only recently become available here in California. We’re thrilled to be among the first retailers to discover them. These Pinots are elegant, feminine and built to last, whisking the Pinot-lovers on our staff away to their happy place. The 2006 Amalie Robert “Amalie’s Cuvée” Willamette Valley Pinot Noir ($54.99) has a sexy sous bois/musk note to complement the lighter, more ethereal strawberry chiffon, cotton candy and talc aromas that comprise its bouquet. It the mouth it is bright and lovely, with pretty, resonating acidity on the attack. Tart cherry, raspberry and red currant fruit fill the palate like Red Riding Hood’s basket with a lingering finish redolent of lavender and wisteria. This is a very special wine showing much more balance than typical for the vintage.

The 2006 Amalie Robert “Dijon Clones” Willamette Valley Pinot Noir ($42.99) is dominated by clone 777, with smaller proportions of 667, 114, 113 and 115, and each selection adds something to the blend. Spicier on the nose than the Amalie’s Cuvée, the Dijon Clones wakes your senses with prickly notes of clove and nutmeg. There’s a nice tension as the wine opens up between the spice and pure red cherry fruit and an alluring fried mushroom umami quality. The wine expresses the vintage by being very ripe, but does it well with spot on flavors and nice drive. It is tangy and fresh with plum, cassis and currant fruit on the pretty, refined finish.



Winemaker Interview: Harry Peterson-Nedry


Photo by Marvin CollinsName: Harry Peterson-Nedry                        


Number of years in business:  29 years (Began first vineyard, Ridgecrest Vineyards in 1980, first vineyard in Ribbon Ridge AVA)

How would you describe your winemaking philosophy?

I’m a believer in setting up a dynamic tension between what might seem to be polar opposite approaches. 

We strive for elegance, complexity and ageability in our wines. This means pitting the controls that keep key variables the same—fermentation-to-fermentation, barrel-to-barrel, etc.—against ongoing experimentation and innovation—i.e., left brain vs right brain.  Complexity and nuance come from inherent fruit differences and from intentionally varying some things—like forests/barrel makers (e.g., we use 10 different coopers in PN) and yeasts in barrel and small stainless fermented whites, and four different vineyards in blended wines—while predictability of general style benefits from strictly controlling temperatures and yields and the like. 

Elegance comes from using restraint (on new oak, on ripeness, on fermentation extraction regimes), yielding finesse rather than power, with an emphasis on balance and texture.  Texture is vitally important to us.  That doesn’t mean when we experiment each year that we don’t push the envelope—e.g., playing with an 88% whole cluster lot in 2008, whereas normally we might use 15% average. 

On the one hand, we are driven by science (e.g., in closure trials and decisions to go screwcap 100%, even on reserve wines; in extreme lab analytical work; in rigorous experimentation every year), while on the other hand, we make final picking decisions by flavors and taste, not grape chemistries.  We do not change our brand look and approach, and yet we are always trying new varieties and wine types—e.g., Gruner Veltliner begun in 2008, sekt-styled semi-sparkling Riesling begun in 2007, a Passetoutsgrains since 1992 (called Cerise).  

What wines or winemakers helped influence your philosophy?

The standards for the varieties we make are always the Old World, and I drink the best from those regions, whether Burgundy, Alsace, Germany or Austria.  They aren’t on average superior to us and our peers, but the best wines from those regions, in the best years, are examples I take to heart and try to emulate.  

How involved in grape-growing are you? Is there a particular vineyard site that wows you year after year?  

I started our winery not with barrels and tanks and a building, but with 37 acres of planted vines and almost nine years of maturation before my first commercial vintage, 1990.  We source almost ALL our fruit from our own vineyards, the only exception being some Chardonnay from friends that helps us short-term boost production of INOX, our stainless steel fermented Dijon Chardonnay.  Vineyard is critical to our operations.  We log lots of walked miles in our 4 estate vineyards, especially during final ripening. 

It’s difficult to say we like one child over another.  However, the Reserve Pinot Noir and Pinot Gris are almost always exclusively or close to exclusively from Ridgecrest Vineyards—the oldest vineyard, the first on the Ribbon Ridge AVA, the ocean sedimentary soil site and the highest elevation vineyard, meaning it is harvested last.  For white wines, in general, there isn’t a better site in Oregon than Stoller Vineyards and for Riesling, specifically, our Corral Creek site is superior.  Sorry to qualify so much, but Wows come at different times, in different situations.

How do you think your palate has evolved over the years? How do you think that’s influenced your wines? 

I’m less impressed with size and power in wines these days, preferring elegance and nuance now.  That means varieties like Riesling and Pinot Noir excite me more, and aged wines from ageable varieties get my attention, even Cab and Merlot.

What kinds of food do you like to pair your wines with? 

I think white wines are underappreciated by the average American consumer, because they’ve been told that if they are serious they need to be drinking red.  And my table would suffer greatly if limited to red wines—I appreciate lighter fare like fish (sushi, shellfish, halibut, cod, sole, salmon, etc.), pork, innovative vegetable dishes and desserts, all of which have good matches in our portfolio of wines, especially with 60% of our production being white wines.

What changes are planned for coming vintages?

Any new (top secret) varietals, blends or propriety wines on the horizon?  We are just releasing a tiny production Reserve-Reserve type wine we call STATEMENT, from 2006 vintage and released only in “declared” vintages—with another scheduled for 2008.  We’ve also begun releasing two special whites:  SEXT, a sekt-type semi-sparkling 5% RS Riesling (patterned after Moscato d’Asti as a dessert wine); and Gruner Veltliner, beginning with the 2008 vintage—looks surprisingly authentic at this stage.

Is there a style of wine that you think appeals to critics that might not represent your favorite style? How do you deal with it? 

BIG and imbalanced wines aren’t my interest, although I realize that sometimes critics are saddled with picking wines out from a multitude and, mistakenly I think, use size and overtness to make their selection.  Big wines from extraction or wood or overripeness or ML or….hit American between the eyes, but I don’t think that’s necessary except perhaps when consumers’ are beginning and need 2 by 4 guidance.  With maturity, both critics and the consumers they counsel should better value finesse, elegance and nuance of flavours, aromas and textures.

What do you drink when you are not drinking your own wine? 

You’ve hit on a pet peeve of mine.  Drinking one’s own wine, except in making or evaluating it, is the height of narcissistic or self-serving behaviour.  We should be proud of our own wines, but not to the point we take it with us to restaurants or buy it in shops.  Eating out and drinking wine with friends is a perfect opportunity to continually reshape our palates, appreciate new wines and winemakers and regions, to recalibrate the standards by which we measure ourselves. 

I DO tend to stay in the varietals I make, mainly because I make already what I prefer, drinking the Old World and newer serious winemakers—i.e., Burgundies, Rieslings from Germany, Alsace and Austria, White Burgundies, interesting whites like Albarino, Gruner, Sylvaner, etc.  And great coffees.

Do you collect wine? If so, what’s in your cellar? 

I have a cellar going back to the early 70s, with a sprinkling of ancient collectors items.  Lots of Burgundy, Bordeaux, CA Cabernet, Oregon Pinot Noir, and 10+ year old aromatic whites.  I buy auction lots from friends in the industry and trade cases with various people, like Navarro.

What do you see as some of the biggest challenges facing the wine industry today? 

  • The Economy and the resultant slashing of prices to unsustainable levels.  There will be a culling of brands and wines of unpredictable quality on the market—hopefully the inroads into the average American’s lifestyle won’t be lost.
  • Three-tier distribution becoming archaic, due to the creation of only 4-5 mega-distributors, which treat wines as commodities and which fail to serve small wineries.
  • General proliferation of brands and confusion resulting for consumers.
  • New diseases in established wine regions.
  • AND OF COURSE, the changes to established growing regions, their varieties and quality and reputation, due to Global Climate Change.

Staff Tasting: Domestic Wines


Some customers are amazed that we can remember the aromatic and flavor profiles of so many different bottles of wine. “How do you guys know so much about so many different wines?” they ask us. The short answer is: we taste...a lot. Every Tuesday is staff tasting day and we have a cyclical schedule that goes by region. We hit the tasting bar in shifts and take as many notes as we can in the allotted time given to us. We make an effort to remember what we like and we pass that information on to our customers. For those of you who are not able to visit us locally, or who prefer to shop online, you can find many of those notes on the Staff Review page. I also thought blogging about these tastings to help highlight some of the wines that we are currently excited about. I hope I will be able to convey the excitement that I usually exude in person.

Our last tasting was a test in endurance as our domestic buyers delivered a flight of nearly 50 different products. Here are some of the standouts:

2007 Cesar Toxqui Cellars North Coast Pinot Noir ($14.99) Rich aromas with hints of wood and earth. A smooth, medium-bodied palate with vanilla notes. Supple and silky. A very good deal for the price.

2007 Joseph Swan “Cuvee de Trois” Russian River Pinot Noir ($26.99) A smooth entry, far less gritty and rustic than Swan’s other pinots, with soft cherry fruit and very subtle earthy flavors. This should be a slam dunk favorite with just about everyone.

2007 Willowbrook Mendocino Pinot Noir ($16.99) Soft, juicy, cherried-wine with depth and complexity. It really opens up on the palate after some time. A real bargain that gives the under-$20 Pinot category another great bottle to offer.

2007 Morgan “Twelve Clones” Santa Lucia Pinot Noir ($26.99) Always a great wine and this vintage is no different. Cherry and strawberry aromas are followed by more red fruit on the palate that balances with perfect acidity, weight, and structure. One of the best California Pinots from the vintage I have yet tasted.

2006 Thorne “Rio Vista” Santa Rita Hills Pinot Noir ($29.9930) My new favorite Pinot that we carry. It has a classic Burgundian nose with red berries, clove, baking spices and earth, with juicy cherry fruit on the palate. Firm acidity and a long, long finish. I can’t decide if I want to drink it all now or save some for later. What to do?

2007 Lang & Reed North Coast Cabernet Franc ($19.99) Bell pepper aromas let you know that this is real Cab Franc. Supple red berry fruit on the palate with black pepper notes and tannins that grip. More Loire-like in style but with riper fruit. Very nice.

2006 Tamarack Cellars Columbia Valley Merlot ($23.99) This is the bottle that will help to revive Merlot’s tarnished reputation. Toasty aromas, juicy fruit, a luscious full-bodied palate and a restrained use of oak. Structured, but showing beautifully. I can’t wait to tell everyone how good it is.

1999 Mayacamas Napa Merlot ($49.99) The most interesting bottle I’ve tasted in some time, and maybe the best older pure Merlot I’ve ever had. Tangy, earthy, but still showing some fruit. Perfectly balanced and wonderfully aged. This should impress the hell out of Old World drinkers.

2007 Waters “Interlude” Walla Walla Red Blend ($26.99) Washington is the source of practically every great red blend I have tasted recently. The Waters displays rich black fruit with that classic violet tinge on the palate. Structured, but still very smooth and graceful. This wine is outstanding and should please just about anyone who likes anything red.

2006 Ridge Santa Cruz Mountains Red ($34.99) I would buy this wine every year without tasting it because it has never failed me. The 2006 is more tightly wound, however, than the ’05 and should be decanted for a few hours or stored away for a few years. All the flavor is still there - the black currant, the earth and the chewy tannins. It just needs a little air to reveal itself.

2005 Mount Eden “Saratoga Cuvee” Santa Cruz Mountains Cabernet Sauvignon ($24.99) Like the Ridge, I’ve found that this wine is 100% dependable, even though the vintages are very different from one another. This year’s offering is more earthy and mineral, but it tastes exactly like Mt. Eden made it. It’s that classic gravel and earth that I tasted in the 1995 Estate bottle I had last week. Delicious.

2002 Joseph Swan “Lone Redwood” Russian River Zinfandel ($15.99) Rustic, gritty and tangy with underlying earth. Just what you expect from Swan’s unfiltered Zins. Delicious. Always a deal.

2007 Mauritson Dry Creek Zinfandel ($22.99) Big, thick and tannic Zinfandel that’s still showing plenty of rich red fruit. I was expecting a big Port-like monster and instead I got really well-made wine. This is the most interesting Zin I’ve had in some time and I will make sure to point it out to everyone.

2008 Palmina Pinot Gris ($14.99) Solid wine with firm acidity and citrus fruit that is perfectly balanced. Crisp, clean and refreshing with depth and complexity. A very good domestic option for PG.

2007 Mount Eden “Wolff Vineyard” Chardonnay ($17.99) Once again, Mount Eden makes great wine. A wonderful balance of barrel aging, honeyed fruit, and crisp acidity makes for tasty Chardonnay that doesn’t overpower or bore. This is the California style that I want to show out-of-towners. Don’t miss out.

2008 Seven Hills Columbia Valley Riesling ($11.99) Bursting with apricot, this off-dry Riesling is fresh with crisp acidity and more cocktail fruit on the palate. Perfect for Asian dishes or other spicy foods. Load up. At this price it rivals its German counterparts.

David Driscoll